Friday, September 24, 2010

Kinetic Canvas features five new dance works

On Saturday, October 16th, Sanspointe will transform the lobby at Birmingham Museum of Art with modern dance, live music, art and spoken word.

Sanspointe will present five new dances, featuring:
Lynn Andrews
Margaret Armstrong
Shellie Chambers
Ivan Correa
Helen Gassenheimer
Michell Hamff
Vikas Hegde
Taryn Lavery
Amia Loubser
Rhea Speights
Justin Wallace
Anna Walker




Wednesday, August 25, 2010

Dances Fall 2010

Sanspointe will present Dances Fall in Tuscaloosa at Morgan Auditorium on Tuesday evening, October 26th.

We've been invited to perform for the fourth time at The University of Alabama...where several of us graduated from within the past 10 years. We're looking forward to being back again.

Opening the program on the 26th is the premier of new work by Chicago-based guest artist Margi Cole, titled "Roost." Margi set the work on five company members during a week in June.

Also on the program are recent works from the company's "Primary Subject," including Taryn Lavery's "Measuring the Marigolds," Shellie Chambers' "Mind Over Me," and the collaborative work by Rhea Speights and Justin Wallace "I made something for you."

Closing out the program is a new work by Lynn Bowman. The quartet will also be seen in the company's "Kinetic Canvas: A Dance Installation" at Birmingham Museum of Art on Saturday, October 16th.

Thank Sarah Barry for inviting us back to UA, and thanks Miranda for your design!

Tuesday, August 3, 2010

I come from...

Michelle and Shellie's collaboration, continued...

At the end of our first rehearsal, we gave the dancers a homework assignment - from Liz Lerman's "toolbox." We asked them to fill a sheet of paper, responding to the prompt "I come from...".

We had our second rehearsal on Monday, and these were some of the statements that they made, some of which we have used in our dance.

I come from plenty.
I come from safety and shelter.
I come from a family of five, a happy home, the south.
I come from farming and sewing.

I come from palm trees, the ocean, a family, a tradition, sadness.
I come from Africa, drums, pain; Spaniards with no boundaries, people like you and me.
I come from tasty food, local prejudice, bombs, violence, lack of respect of value for human life.
I come from an idea of God, the love of a mother and her sacrifice.

I come from a country where everybody stands for themselves.
I come from a place where you are not sure what tomorrow holds.
I come from a place I no longer want to be.
I come from a place my favorite memories are lost.
I come from South-Africa, now I'm safe.

I come from a love of art.
I come from being a believer in seeing the good in people.
I come from hope that the world we live in will keep moving towards peace.
I come from the sum of all my experiences and relationships.

Sunday, August 1, 2010

a wonderful change could happen...

Michelle and Shellie's collaboration, continued...

by Michelle Hamff


Excerpt from Outcasts United, by Warren St. John:
"When I think about Clarkston, I sometimes visualize the town as a lifeboat being lowered from a vast, multilevel passenger ship. No one aboard chose this particular vessel. Rather, they were assigned to it - the refugees by resettlement officials they never met, the townspeople by a faraway bureaucratic apparatus that decided, almost haphazardly, to put a sampling of people from all over the world in the modest little boat locals thought they had claimed for themselves. In an instant, the boat was set upon a roiling sea, its passengers left to fend for themselves. Everyone on the boat wanted the same thing: safety. But to get there, they would first have to figure out how to communicate with each other, how to organize themselves, how to allocate their resources, and which direction they should row. I imagine their heads bobbing in and out of view between the troughs and crests of the wind-whipped sea as they begin their journey. And I wonder: What will they do? What would I do in that same situation? And: Will they make it?"

Thoughts after Rehearsal 1:

I am amazed; hard to put into words how relevant and important this particular piece of work is to me personally...I grew up with parents who valued teaching through travel; teaching diversity, tolerance, acceptance and understanding and celebrating people's differences while always striving to find commonality among people. I have been extremely blessed to have been to the Holy Land, parts of Russia, Egypt, China, and the Caribbean. My eyes were opened each new place I traveled and a love of culture and passion for learning and respecting differences was put in my heart many years ago in college. I put a work together called, "Babel," in which I got foreign language speakers from the language department to speak and perform. This presented many challenges as we had to really speak slow to understand each other and we would most of the time use our bodies through dancing to communicate...we formed friendships and would eat meals together outside of rehearsal and performance. I wanted to make a statement that different people can come together and make something beautiful in the world. And that is what we did.

Fast forward to Shellie calling me and explaining the opportunity to make a piece inspired by the book and art installation and that UAB students were reading the book and would be discussing it...I got so excited b/c the layers were beginning to be laid....the artistic nuggets were there: Babel from years ago, the amazing stories of the people that make up the book, the artistic vision for the art installation, the students whose lives hopefully will change from reading the book and create more questions and understanding (as it did for me personally the more I read the book), working with a wonderful friend and choreographer, Shellie Chambers, and knowing that this work at its heart is about people coming together to create a piece of art and make a statement of understanding that all people have stories and come from a place....we all have struggles - let's find the common ground; reach out and find a way to the heart of human connection which make life meaningful - to find a way to understanding and respect.

I think for me too, reading the book is eye-opening and is instilling in me a chance to let others in on this important story to be told about refugees whose one thing in common is soccer. What would happen if we all found common ground with people we didn't understand and maybe harbored ill-feelings towards? I bet a wonderful change would happen.

Saturday, July 31, 2010

First rehearsal for Outcasts United collaborative work

A collaboration by Shellie Chambers and Michelle Hamff

by Shellie Chambers:

Today, Michelle and I began working with three community members - Ivan Correa, Vikas Hedge and Amia Loubser - on a new dance work that incorporates spoken word in four languages.

Let me give you a background on what we're up to....Sanspointe began a collaboration with Birmingham Museum of Art only a few weeks ago to present Kinetic Canvas: A Dance Installation at the Museum. In addition to that 40-minute performance, featuring five site-specific collaborative dance works on October 16th, Sanspointe was invited to create a work inspired by the UAB 2010 Discussion Book, Outcasts United, by Birmingham's own Warren St. John.

On August 24th Sanspointe will perform this work for UAB students, faculty and staff who have been invited to read Outcasts United and view the artwork, Mpanqui, Jimaqua (Brotherhood, Twins) by Cuban artist José Bedia. The artwork was selected by Museum staff to complement the book as it reflects many of the book’s themes.

When we were invited to make this work, I got really excited about it because I had recently read the book. I immediately thought of a dance that Michelle choreographed in college called "Babel," in which four dancers with four different native languages spoke and danced together. I called Michelle, and we decided to take that idea and make it anew. We put out a call to friends as we looked for three people whose native language wasn't English and who would be open to working on this performance piece with us.

Michelle and I met several times this past week to create the structure for our dance, using original text that Michelle wrote almost 10 years ago when she was in college. Today, at our first rehearsal, we met the dancers for the first time.

This new work will be performed for the public in Sanspointe's Kinetic Canvas: A Dance Installation at Birmingham Museum of Art on Saturday, October 16th at 1:00 and 3:00. The performance is free to attend.


More information about the book Outcasts United and the Fugees...

From the book website:
"Outcasts United is the story of a team of refugee boys, the remarkable woman who coaches them, and the town where they live, a once-sleepy southern hamlet that has been upended by the process of refugee resettlement. It's a story about the challenges posed by our quickly changing world, and one that reminds us of what is possible in this country when we put our values in action. Outcasts United is the story of what happened when these three disparate elements -- a town, a team and a coach -- came together in a kind of impromptu social experiment. It's a book about resilience in the face of extraordinary hardship, the power of one person to make a difference and the daunting challenge of creating community in a place where people seem to have so little in common."

Fugees Family website
Fugees on Today, reported by Tiki Barber
Where the Fugees come from

Friday, July 30, 2010

Dance, Music and Visual Art Mingle in Kinetic Canvas

July 30, 2010; Birmingham, Ala – Birmingham-based, professional modern dance company Sanspointe will present “Kinetic Canvas: A Dance Installation” at the Birmingham Museum of Art on Saturday, October 16, at 1:00 and 3:00 in the afternoon. The performance is free of charge and open to all!

The partnership between Sanspointe and the Museum began in June 2010 when Sanspointe’s Artistic Director Shellie Chambers began a conversation with the Museum’s Assistant Curator of Education Kristen Greenwood about the possibility of collaborating with the Museum to present a dance installation in their space...dances inspired by the museum itself.

Chambers felt it was time to do something new and unexpected following the company’s four-day run of “Primary Subject” in May.

“After our May concert, I felt that our company and audience members needed to see something different in our next concert. I immediately began looking for an unconventional space where we could perform that would inspire our work and expand our audience.” said Chambers.

Everything fell into place, and the company is now rehearsing five new site-specific dances that will be presented in “Kinetic Canvas: A Dance Installation.” Twelve Sanspointe members and friends are collaborating on these works, which include live music, spoken word and of course dance and art. The 40-minute performance will be performed twice on October 16, 2010, at no cost to the public.

In addition to the public performances on October 16, Sanspointe will perform on August 24th for UAB students, faculty and staff who have been invited to read the UAB 2010 Discussion Book, Outcasts United, by Birmingham’s own Warren St. John, and view the artwork, Mpanqui, Jimaqua (Brotherhood, Twins) by Cuban artist José Bedia. The artwork was selected by Museum staff to complement the book as it reflects many of the book’s themes. The performance piece is a collaboration by Chambers and Sanspointe Founder Michelle Hamff that features movement and spoken word in four languages. Three community members have been invited to perform in the work.

Sanspointe was founded by Michelle Hamff in 2003 to provide choreographers and dancers with an opportunity to create new work, collaborate artistically and present high-quality modern dance performances for the community. Sanspointe presents at least two concerts of original and inventive choreography by a handful of Alabama dance artists each year, and has presented more than 30 original works by Alabama choreographers.

Under the artistic direction of Shellie Chambers, Sanspointe has been recognized as a 501 (c) (3) tax exempt organization with ten company members, including dance artists, musicians and designers. Sanspointe’s members bring a diversity of interests, experiences and talents to the Company. This unique fusion of artistic ideas and inspirations allows Sanspointe to constantly evolve and challenge its members’ and audience’s expectations of modern dance.

Founded in 1951, the Birmingham Museum of Art has one of the finest collections in the Southeast supported by a strong educational program designed to make the arts come alive for children and adults throughout the region.

To learn more about Sanspointe, visit www.sanspointe.org. For more information on Birmingham Museum of Art, visit www.artsbma.org.

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Wednesday, July 28, 2010

Save the date for Kinetic Canvas

Following our May concert, Primary Subject, I felt it was time for Sanspointe to do something new and unexpected. I immediately began looking for an alternate venue for our Fall concert. It wasn't long until I was at Birmingham Museum of Art talking with Kristen Greenwood about the possibility of collaborating with the Museum to present a dance installation in their space...dances inspired by the museum itself.

Everything fell into place, and we are now rehearsing five new site-specific dances that will be presented in Kinetic Canvas. Several Sanspointe members, musicians and friends are collaborating on these works. Including live music, spoken word and of course dance and art, the 40 minute performance will be performed twice on Saturday, October 16th during the 2010 Fiesta event in Linn Park. Join us just inside the museum's front doors for a lively, moving and cultural performance, suitable for the entire family.

Details:
Sanspointe presents
Kinetic Canvas: a dance installation
at the Birmingham Museum of Art
Saturday, October 16
Two daytime performances, times tba.
No cost.

Tuesday, July 6, 2010

Sanspointe working with Margi Cole

Margi Cole worked with five dancers June 6-11, creating a new work that will premier in October 2010. In video: Margi Cole, Shellie Chambers, Taryn Lavery, Rhea Speights and Anna Walker. Sycamore Toffel - voice and videographer.

Monday, May 3, 2010

Preveiw of Primary Subject

North Carolina-based Guest Artist Killian Manning’s There was Morning and Evening, Another Day to music by Kit Weinart.


An aerial dance choreographed by newest company member Rachael Inman, performed with an unusual partner, a swing to music by Terry Riley.


A whimsical trio by Taryn Lavery to music by mum.


A frenzied duet, Mind Over Me, choreographed by Shellie Chambers to John's Book of Alleged Dances, a composition by John Coolidge Adams for string quartet and piano and performed by Kronos Quartet.


A collaborative work “I made something for you” in which dance artist Rhea Speights and musician Justin Wallace contribute to the original soundscore.

Closing out the program is
Another Landscape, collaborative work by Lynn Bowman and Speights, featuring six dancers and music by Dirty Three. Another Landscape creates and recreates and creates again pictures and images inspired by the perpetual act of making art. The choreographers Lynn Bowman and Rhea Speights used various artists as jumping off points for this collaborative work including Vincent Van Gogh, Michael Corinne West, Marc Chagall, and Antony Gormley.

Justin Wallace Rachael choreographers

Monday, March 22, 2010

PreMoves: dances in progress



Have you ever wondered how a dance is created, what goes on in the studio before the performance, or what kinds of questions the artists ask as they create? Join Sanspointe April 17th to observe rehearsal, view a work in progress and chat with the artists about their process.

Join us at 3:30 on April 17th for PreMoves: dances in progress - an open rehearsal, and preview of new work Another Landscape choreographed by Lynn Bowman and Rhea Speights followed by a facilitated discussion with the artists.

This event is free to attend, but a reservation is requested at http://premoves.eventbrite.com.

Donations are welcome when you register above, at the event or anytime year 'round on our web site www.sanspointe.org. Your donation will support Sanspointe's 2010 Season, including Primary Subject and Dances Fall, and is tax-deductible. Thanks for your consideration.

You are also invited to join the company for class on April 17th from 1:00 until 2:30 at CDF Studios. Class is $10. Then, stick around to observe rehearsal and preview of Another Landscape.


Sanspointe will present Primary Subject May 13-16

Sanspointe is pleased to present Primary Subject May 13-16 at the CDF Studio Theatre in Birmingham, featuring new dance works choreographed by Alabama-based dance artists Lynn Bowman, Shellie Chambers, Rachael Inman, Taryn Lavery, Rhea Speights and North Carolina-based guest artist Killian Manning and new music by Justin Wallace.


Included in Primary Subject is Manning’s "There was Morning and Evening, Another Day” to music by Kit Weinart. Manning spent two weeks in Birmingham during the 2009 Holidays setting the work on six dancers. She is Artistic Director of No Forwarding Address, on the faculty at UNC-Greensboro in Communication Studies and teaches dance at the Ballet School of Chapel Hill.


Speights and Wallace will perform their collaborative work “I made something for you” in which the dancer and musician contribute to the original soundscore. Lavery is presenting choreography for the first time with the company, and Chambers has set a frenzied duet to music by John Adams.


Also featured in Primary Subject is an aerial dance choreographed and performed by newest company member Rachael Inman, cofounder of Fuzion Dance Artists based in Sarasota FL. She will perform with an unusual partner, a swing. Closing out the program is a 20-minute collaborative work by Bowman and Speights, featuring six dancers and music by Dirty Three.


Before the concert begins, the audience will enjoy live music 30 minutes before curtain by up-and-coming singer/songwriter Neil Couvillion. Couvillion will perform songs from his album Time Machine. Recorded with the help of some great musicians and friends, his sound has been described as a mix between Patty Griffin and David Gray.

Primary Subject is sponsored by Andress Engineering Associates, Inc. and Pilates on Highland. The performance is also made possible by grants from the Alabama State Council on the Arts and the National Endowment for the Arts.


Sanspointe was founded by Michelle Hamff in 2003. Today, the company exists to provide choreographers and dancers with an opportunity to create new work, collaborate artistically and present high-quality modern dance performances for the community. Sanspointe presents two concerts of original and inventive choreography each year by local choreographers for audiences in its hometown of Birmingham, Alabama, and performs at events during the year around the Southeast.


Under the artistic direction of Shellie Chambers, Sanspointe is a 501(c)(3) tax exempt organization.Sanspointe’s members bring a diversity of interests, experiences and talents to the company. This unique fusion of artistic ideas and inspirations allows Sanspointe to constantly evolve and challenges its members and the audience’s expectations of what modern dance is.


Primary Subject will be performed in an intimate theatre setting at Children’s Dance Foundation’s Studio Theatre in Downtown Homewood (1715 27th Court South). Tickets, $12, can be purchased online at www.sanspointe.org. Seating is limited.


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Photos by Jim Willett
Poster by Kevin deMiranda


Saturday, January 9, 2010

Sanspointe receives grant from ASCA

Sanspointe received a grant from The Alabama State Council on the Arts (ASCA) to present Primary Subject in May 13-16, 2010. Primary Subject will feature modern dance works choreographed by Lynn Bowman, Shellie Chambers, Taryn Lavery, Rhea Speights and guest artist Killian Manning. This is Sanspointe's first request and grant from ASCA.

Bowman, Chambers and Speights have choreographed for the company previously. This will be Lavery's first time to present her work with the company. Lavery is a 2008 graduate from The University of Alabama, where several other Sanspointe company artists also received their degrees, including Chambers, Speights and Founder Michelle Hamff.

Also featured in Primary Subject is Manning's new work, There was Morning and Evening, Another Day to music by Kit Weinart. Manning, who lives in North Carolina, spent two weeks in Birmingham during the Holidays setting the work on seven dancers. She will continue to work with the dancers until the performance remotely through video and email communications. She'll be back in May for the performance and to teach a master class open to the community.

Killian Manning is on the faculty at UNC-Greensboro in Communication Studies and teaches dance at the Ballet School of Chapel Hill. As Artistic Director of No Forwarding Address, she has received funding from numerous N.C. state and local arts agencies and was named "Best in The Triangle" in dance for four years. Killian has presented her award-winning choreography in Salt Lake City, Boston, Chicago, Birmingham, and North Carolina. She served on the dance faculty at UNC-Chapel Hill from 1989 to 1995, and has also taught at Radcliffe, the Boston Conservatory, Repertory Dance Theater School, and Samford University. Prior to that, she studied, performed, and choreographed in Boston from 1980-1987, where she was a member of Susan Rose and DanceWorks. Most recently she has enjoyed creating new dances at Durham Academy and the Carolina Friends School.

Sanspointe performs at Vestavia High School and The University of Alabama

On October 22, following performances of Dances Fall in Birmingham, we performed excerpts of Dances Fall at Vestavia High School (VHS). We were excited to perform for the second time to perform at VHS. We performed one a solo from Michelle Hamff's Neruda No. 5, Rhea Speights Trick or Treat Me Like a Fool, and Lynn Bowman's A Very Dry Spell for more than 600 fine arts students.

On October 27th, we spent a day in Tuscaloosa at The University of Alabama. Lynn Bowman taught class to dance majors in the morning. We spent the afternoon setting the lights in Morgan Auditorium for the full-length presentation of Dances Fall, observed by a class or two.


We presented Dances Fall at 7pm, including pre-show live music by Abram and Sarah. Following the performance, we had an informal Q&A with more than 20 dance majors about everything from the content of the dances to the business of running a dance company. More than half of our company artists are graduates from The University of Alabama, and we are always thrilled to go back and visit. This day-long residency was made possible by UA's Creative Campus.